What drives optical sales?
In a previous post, I looked back at Prada’s abortive attempt to control their own eyewear licensing in collaboration with De Rigo. When Luxottica subsequently took over the license in 2002, they promised to nearly quadruple Prada Eyewear’s lagging sales in one year. This raises an interesting question.
Had Prada’s stature with consumers, as a brand, plummeted during their own venture into eyewear? Had signing a contract with Luxottica immediately raised it four fold, so they could sell four times as much eyewear?
I’ve read some recent articles and opinion pieces talking up the importance of branding to the end consumer in the optical industry. It has some importance, no doubt, more in sunglasses than prescriptive optical, but what exactly is that importance?
Let’s put it into perspective: it pales by comparison to distribution.
Luxottica was able to get the most mileage out of their licenses because of their slow, calculated strategy of expansion, buying sales and distribution resources region by region. Much of this took place before the company took on its first license.
So distribution trumps branding.
This will be the key to LVMH and Kering Eyewear’s success or failure. But this, in turn, raises other questions.
So getting goods on the sales floor is of paramount importance. But once products reach the sales floor, how important is branding?
I personally think LVMH and Kering have all the tools to succeed, but I might have to qualify any gloomy predictions regarding those licensing giants other than Luxottica.
In the Vision Council’s periodic “Fashion vs. Function” surveys, somewhere between just 6 and 10 percent of consumers consider a designer name or brand very important in their purchase. A minority (a bit over a third) would “consider” spending more for a designer name. Of course, since this wedge of the demographic pie (younger, more affluent consumers) tends to spend more than others, their business is important and is courted. But they are a minority.
I personally love customers who are fashion literate. They’ve always been a core constituency of mine. There’s often a difference between these people and those who are “brand driven”. It’s sort of like the difference between style and fashion.
Once you build a brand, customers who are attracted to it will expect a certain kind of product. That’s a good thing. There’s quite a gulf between that and simply “branding” something and selling it.
But branding, per se, is fairly low on the list of factors that drive purchases. According to the survey, durability, the style of the frame and the fit of the frame are the three most important factors.
If you’re going to build a brand known for something, those are the qualities it should be known for.
I guess a message in this survey data is, any competitors concerned about recent industry changes and their potential for absorbing every desirable license and brand should go back to square one and focus on product. Good product should be able to hold its own on a sales floor. Superior product should do even better.
Results that contradict this would be interesting to analyze on a case by case basis. But licensing giants not named Luxottica should be able to do just fine if they make product that stands on its own merits. It’ll be interesting to see how it shakes out.
But back to our original question: What drives eyewear sales? At the wholesale level? At the retail level?
Surveys are all well and good. Sometimes empirical and anecdotal data are more revealing. Many of my readers are ECPs. I’d love to hear what you have to say. I suspect answers might vary by customer base, but who knows? It’d be greatly appreciated if you could share your thoughts in the comments section.
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